South
Political injury reassigned as private failure, each record altered before it can testify, until only the safer account survives in print.
A disciplined archive of reading and reflection
Fiction about body image, physicality and self-perception — novels in which the body becomes a site of control, resistance and desire
Reviews filed under this theme.
Political injury reassigned as private failure, each record altered before it can testify, until only the safer account survives in print.
A house's debt to the devil staged as inheritance, ending in a granddaughter who lives outside its doctrine.
A roadside depot grinds animal carcasses while human corpses wait on a morgue van that never starts. Dignity falls to whoever will carry a body.
Orphanage origins, family objects, meals and fables shape lives built around beginnings that cannot be securely known.
A photographer watches her own images sell as a dead woman's self-portraits. The question is which of them made the work.
A year of pharmaceutical sleep staged as transformation, ending in confirmation that conscious life happens to other people.
A mother crosses Buenos Aires after her daughter is found dead in a church belfry, certain that rain proves what the police refuse to see.
A compressed feminist fable set around 1950s Iran, where women leave male authority and find freedom taking stranger, unfinished forms.
Orwell builds dread out of objects, rooms and procedures. The final section explains what the first two hundred pages made you feel.
During the winter of 1962–63, four people try to keep marriages, animals, patients and unborn children alive after the terms of their lives have begun to fail.
A possible sighting of the man who stalked her reorganises one woman's life around vigilance, repetition and misrecognition.
A house fills with people who remember a day that does not move. They cook, repair, and organise their time, but nothing carries beyond use.