Women Without Men
A compressed feminist fable set around 1950s Iran, where women leave male authority and find freedom taking stranger, unfinished forms.
A disciplined archive of reading and reflection
A compressed feminist fable set around 1950s Iran, where women leave male authority and find freedom taking stranger, unfinished forms.
A novel of marriage, memory and Alzheimer's narrated by a woman whose case against her husband survives her failing mind.
Orwell builds dread out of objects, rooms and procedures. The final section explains what the first two hundred pages made you feel.
A Nigerian short story collection about queer life, family pressure, religious judgement and the cost of being known.
A six-year BDSM relationship written as a study of unequal access: a flat without a key, a man without a surname, a death without a grave.
An event occurs without becoming motive. Explanation is demanded, but the act remains without justification.
Kamel Daoud answers The Stranger by naming Musa, the Arab killed by Meursault, then traces the damage through grief, language and revenge.
During the winter of 1962–63, four people try to keep marriages, animals, patients and unborn children alive after the terms of their lives have begun to fail.
A warm, loose comedy of family, belief and Vermont eccentrics. Generously constructed, intermittently brilliant, and approximately one hundred pages too forgiving of itself.
Nothing translates for Sam Singer in Berlin: not the signs, not the city, not what he cannot say to the man waiting in New York.
Decades stolen from Oscar Wilde are returned, but their moral cost is laid bare.
A possible sighting of the man who stalked her reorganises one woman's life around vigilance, repetition and misrecognition.