Blackouts - Justin Torres
A review of Justin Torres’s novel about memory, erasure and the limits of preservation.
320 pages · Paperback · Granta Books, 2024
What Remains When Memory Slips
Blackouts is high literature, but it keeps its voice low.
This is not a novel driven by plot. There is no mystery to solve, no arc to follow, no final moment where everything clicks into place. The book unfolds through conversations between an unnamed narrator and Juan, an older man he meets in an institution. Juan is unwell and nearing the end of his life. He tells stories from his past, fragments of research, half-remembered lives and histories that drift in and out of focus. The narrator listens and records what he can.
The writing is readable and controlled. Much of the book is dialogue. The sentences are plain and unforced. It asks patience. The stories do not arrive in order. They repeat, fade, contradict themselves, or stop without warning. The disorientation is deliberate.
What the book is really concerned with is memory and erasure, particularly queer erasure. Juan’s failing health mirrors how certain lives disappear from record, not all at once, but gradually and unevenly. The narrator never tries to correct him or impose coherence. He does not claim authority. He bears witness.
The physical book matters. Photographs, documents and redacted text appear throughout, showing gaps rather than filling them in. The audiobook is well narrated and helps distinguish voices, but it cannot replace seeing those absences on the page.
This is a book I admired more than I loved. It withholds rather than comforts. Readers looking for momentum or emotional payoff may struggle. Readers open to restraint, ambiguity and quiet attention will find something thoughtful and humane.