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Author

Editorial

  • Reviews in archive
  • Based Windhoek
Reviews

Charlotte McConaghy

Wild Dark Shore

Charlotte McConaghy pursues survival tension as it slides towards melodrama, testing endurance against emotional excess.

Lucas Schaefer

The Slip

A sprawling debut about masculinity and disappearance that impresses in craft but diffuses its own emotional charge.

Annika Norlin

The Colony

Annika Norlin studies withdrawal and collective discipline, testing whether communal life shelters or erodes the self.

Liadan Ní Chuinn

Every One Still Here

Liadan Ní Chuinn confronts inherited violence and private grief, tracing reckoning as a process that resists completion.

Ottessa Moshfegh

Lapvona

Ottessa Moshfegh stages cruelty as climate, compressing hunger and belief inside a village stripped of mercy.

Pol Guasch

Napalm in the Heart

One pair of hands shoots a soldier in the forest, saws a grandfather apart in the garden, and carries a mother's body across a border to bury her. The letters promise a lover's return.

Jordan Castro

Muscle Man

A single day inside the mind of an embittered academic reveals how bodily obsession and grievance fuse into a closed circuit of paranoia, performance and self-surveillance.

Agustina Bazterrica

Tender Is the Flesh

Agustina Bazterrica institutionalises horror, rendering cruelty procedural and stripping intimacy to sanctioned function.

Agustina Bazterrica

The Unworthy

Ritual, obedience and belief align to normalise violence, structuring authority through repetition rather than force.

Tony Tulathimutte

Rejection

Grievance organises perception, where desire distorts into self-narration and isolation hardens into structure.

Édouard Louis

History of Violence

Édouard Louis reconstructs rape as procedural aftermath, exposing how language, class and institutional scrutiny redistribute blame and reshape trauma.